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St. Martin's Gate |
A Virtual Stroll Around the Walls of Chester 18. The Bridge of Sighs |
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tanding atop St. Martin's Gate, we pause awhile to look back and compare what we see with this fine view by Thomas Allom (1804-72) which was created before 1846 when the Holyhead railway cut across the scene and punched its way through the corner of the city walls. (see a picture of it here). 
Morgan's Mount
Descending from St. Martin's Gate, we enter the homeward stretch of our epic journey. Leaving the noisy inner
ring road behind us, you will notice the wall's dramatic uphill incline which
continues until we arrive back at our starting place, the Northgate-
the highest point on the walls of Chester.
On our left we see a distictive square tower with steps leading to a platform on the top. This is known as Morgan's Mount, after one Captain Edward Morgan, a Royalist officer in charge of an important battery of guns said to have been stationed on top of the tower during the Civil War- though it is likely that this was situated on a small hill nearby, which disappeared during the construction of the canal, the tower itself being used as an observation platform to direct the fire.
Of this Captain Morgan we know little except that, during the conflict he was sometime resident at Wepre Hall near Connah's Quay in North Wales, and that he was later murdered- the unfortunate officer's body being later found in an unmarked grave at the edge of a marsh near Llanasa.
(The old hall has now gone, incidentally, replaced by the visitor centre of the excellent Wepre Park- Parc Gwepra in Welsh).
There is a little room within Morgan's Mount with a stone bench and windows fitted with iron bars. Early guide books wax lyrical regarding the views obtainable from this place, for example:
"From the summit we have a wide-spreading and enchanting prospect, which is seldom surpassed; exhibiting the windings of the Dee to its estuary, Flint Castle, the Jubilee Column on Moel Fammau (see below), the lighthouse on the Point of Air, the beautiful range of the Clwydian hills and the church and castle of Hawarden. Stretching away to our left is the Hundred of Wirral, the foreground dotted here and there with a handsome mansion or substantial farm house... the view embraces a rural district of more than a dozen miles in length".
Until recently, the visitor could ascend a flight of steps to the roof of Morgan's Mount, from where the best view could be obtained, but this is sadly no longer possible due to the recent imposition of a padlocked gate- the reason for whose presence is a mystery to us, except that mention has been made of the structure in connection with recent controversy regarding a perceived decline in the standard of maintainance of the City Walls due to funding shortages. However, as previously mentioned when we viewed Thomas Allom's view at the top of the page, the great increase in the height of surrounding buildings and trees has restricted the prospect considerably and none of the above mentioned being now visible except for those ice-carved hills- and the best view of them in Chester is still to be had from the rising section of wall approaching the Northgate, just a little way ahead of us.
Here we see an interesting view of the City Wall from Morgan's Mount before the entire section on the left of the picture vanished to make way for the Inner Ring Road and St Martin's Gate.
Moel Fammau
Depending
upon
weather
and
light
conditions,
these
Clwyd
Hills
can
appear
very
close
and
dramatically
beautiful,
especially
at
sunset-
or
simply
not
be
visible
at
all!
Some
four
hundred
million
yeas
ago,
a
warm
shallow
sea
covered
this
region
and
now
prehistoric
shales
from
that
sea
form
the
interior
of
a
mountain
range
that
was
once
higher
than
the
(much younger) Rockies!
The
Clwyd
hills
we
see
today
are
mere
shadows
of
their
former
selves,
having
been
worn
down
over
the
aeons
by
the
action
of
ice,
rain
and
wind
along
the
length
of
the
Vale
of
Clwyd
fault
and
glaciers
cut
out
the
cwms and
valleys
through
which
our
modern
roads
now
pass.
Regarding
the
name
of
the
most
prominent
hill,
which
stands
1820
feet
(554 m) above
sea
level,
traveller
and
novelist
George
Borrow,
writing
in
the
1850s,
recalled, "As
I stood
gazing
upon
the
hills
from
the
wall,
a ragged
man
came
up
and
asked
for
charity.
"Can
you
tell
me
the
name
of
that
tall
hill?"
said
I,
pointing.
"That
hill,
sir,"
said
the
beggar,
"is
called Moel
Vamagh;
I ought
to
know
as
I was
born
at
its
foot". "Moel"
said
I,
"a
bald
hill; Vamagh,
maternal
or
motherly.
Moel
Vamagh,
(now
more
usually
spelt
Fammau)
the
Mother
Moel".
"Just
so,
sir,"
said
the
beggar;
I see
you
are
a Welshman
like
myself"
(Borrow
was
actually
an
Englishman
from
Norfolk
and
had
taught
himself
Welsh
as
a young
man)-
"Moel
Vamagh
is
the
Mother
Moel,
and
is
called
so
because
she
is
the
highest
of
all
the
Moels".
(In
his
most
famous-
and
still
easily
available-
work,
Wild
Wales
(1854)
Borrow
mentions
"an
old
inn
in
Northgate
Street".
This
was
the
Pied
Bull
which
we
visited
in
the
Northgate
chapter
at
the
very
start
of
our
tour-
and
where
we
also
read
his
unflattering
description
of
the
Cheshire
cheese
and
ale
served
to
him
there!)
A note
appended
to
Thomas Pennant's Tours
of
1883
provides
us
with
another
interpretation
of
the
mountain's
name:
"The
proper
spelling
is
no
doubt Moel
Fammau-
the
Mother's
Mountain-
the
ladies
in
question
being
of
the
divine
Matres,
once
worshipped
by
the
Celts,
especially
in
Gaul.
In
Celtic
mythology,
fairies
and
goddesses
were
called mothers,
hence
'Mother's
Mountain':
the
mountain
where
the
fairies
live..."
Around
3500
years
ago,
the
slopes
of
Moel
Fammau
were
used
as
sacred
burial
grounds
by
the
people
of
the
Middle
and
Late
Bronze
Age:
the
'Beaker
People'
who
succeeded
the
Neolithic
tribes.
Indeed,
for
thousands
of
years,
trade
routes
have
followed
the
passes
between
the
Clwyd
hills
and
many
ancient
tribes
have
lived
on
the
mountain
slopes
above
the
groves
of
oak
and
hazel
that
formerly
grew
there
in
great
profusion.
(These
have
now
largely
given
way
to
the
great
areas
of
conifers
that
make
up
the
Clwydian
Forest
managed
by
the
Forestry
Commission)
In
later
centuries,
the
Roman
occupants
of
Deva
traded
with
local
tribes
for
the
lead
which
occurs
abundantly
in
the
limestone
of
the
Clwyd
hills.
The
next-highest
hill
of
the
range
is Moel
Fenlli,
named
after
a great
Celtic
warrior-king, Benlli
Gawr,
who
was
buried
on
nearby Goblin
Hill at
Mold,
and
from
where
was
excavated
his
great
Golden
Cape-
now
the
most
celebrated
exhibit
in
the
British
Museum's
Celtic
display.
At
least
thirty
five
hut
circles
have
been
found
on
this
companion
to
Moel
Fammau,
together
with
ancient
potsherds
and
Roman
coins.
About
a thousand
yars
to
the
west,
on
a spur
at
1115
feet,
is Moel
y Gaer,
an
iron
Age
hillfort,
on
which
a double
circle
of
ramparts
can
clearly
be
seen,
enclosing
some
six
acres
of
hilltop.
The Jubilee Tower on top of Moel Fammau which was built in 1810 to commemorate the 50th year of the reign of George III, was designed by Thomas Harrison, the architect who was responsible for many of the best buildings we have seen during the course of our stroll, including the Grosvenor Bridge, Castle and the Northgate- which we are now approaching and from where the best view of the hill is obtained.
The design of Harrison's 'Egyptian-style' tower was disliked by many contemporaries; the poet Gerard Manley Hopkins described it as "An ugly and trumpery construction, make-believe massive, but so frail that it was blown over... it cumbers the hilltop and interrupts the view".
When the tower's foundation stone was laid by Lord Kenyon on 25th October 1810, around 5000 people made the arduous walk to the summit to attend the ceremony and commemorative sermons were preached at Mold and Ruthin before the clergy and gentry rode to the top on horseback "attended by musicians and beautiful women". Fat oxen and lambs were roasted and distributed to the poor of the district and the cwru da ('good ale') flowed freely all day...
This unusual view of the summit- photographed from a microlight aircraft by your guide, showing the remants of the Jubilee Tower on top of Moel Fammau and the eroded network of footpaths leading to it.
The fine watercolour of the Jubilee Tower above is by Moses Griffith (1747-1819).
The 115 foot high tower was never finished and collapsed during a great storm (some say earthquake) on 1st November 1862. Half-hearted rebuilding attempts were made in 1863 and 1887 but never completed, but in 1970- Conservation Year- some restoration of the surviving tower base was undertaken, including the addition of a series of plaques indicating the various distant places which may be seen from this wonderful observation platform- weather allowing, it is possible to see the Isle of Man, and much of the North West of England such as Liverpool, Manchester, Winter Hill, Blackpool Tower and Cumbria.
Four years later, in 1974, the entire mountain was designated a Country Park, covering 2000 acres and permanently open to the public, and today the nipple-like appearance of the remaining tower stump atop the smooth hill continues to remind us of the 'motherly' aspect of its ancient Celtic name.
Two Welsh counties share claim to the peak of Moel Fammau since the border between Denbighshire and Flintshire runs through the middle of it.
Go on to the end of our journey and part II of the Bridge of Sighs...
Curiousities from Chester's History no. 27
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